Double entendres, slippery syllables, rapid-fire wordplay, and sly jokes! If you are a fan of any or all of these, if you like Shakespeare, then “Holiday for Errors” is for you. Written by Seattle actor and writer Frank Lawler and Washington, DC, actor and Shakespeare authority Daniel Flint, this is a production that provides “the definitive” answer to the relationship between Shakespeare and Marlow, and in the process creates a Christmas confection composed of fractured bits from “Twelfth Night,” “Richard III,” and a bit more.
(photo: Ken Holmes)
Sound impossible? Not so. This melange brings forth the lame Richard III in company with the gartered Malvolio. You’ll not be surprised that it also has a girl masquerading as a boy. It offers a saucy (let’s say horny) Queen Elizabeth who spends more time plotting her bedroom romps than attending to affairs of state. Unfortunately her stuffy Chamberlain is of the Puritan persuasion and would close down all the theatres and do away with Christmas celebrations. Of course, Christmas and the theatres are saved. Marlow serves as Shakespeare’s muse, and all’s well that ends well.
Richard Schaefer’s simple but elegant set is absolutely lovely, evoking Christmas and serving as a fine Elizabethan background. Schaefer is also the man who designed the lighting that features the most delicate and arresting silhouettes. I’m always amazed when a small theatre company manages to mount a play with lavish costumes. Justine Wright’s Elizabethan outfits for the cast are wonderful.
So, if you’re a Shakespeare fan or enjoy broad humor, come on down to the Center Theatre where Director Teresa Thuman’s concoction offers an unusual Christmas treat.
See original article here.